– Judging by Reese Witherspoon’s black eyes and ragged dress, it appears that Chris Brown already has a new girlfriend.

–I wonder who wore the sheet with the higher thread count: Jessica Biel or Tilda Swinton. I hope they were smart enough to bring along the matching pillows to use during the terminally long telecast.

–Halle Berry, on the other hand, knows the Oscars is not a time for comfort and, as always, was the best dressed.

–Jennifer Aniston gets her big moment in the spotlight at the Academy Awards introducing a clip and the camera cuts to Angelina Jolie. I’m starting to wonder if Aniston gave everybody in Hollywood Herpes and that’s why they all seem to hate her so much.

–I loved it when Steve Martin stopped in the middle of introducing a clip and randomly said to Tina Fey, “DON’T…fall in love with me.”

–I also got a kick out of Ben Stiller’s impersonation of Joaquin Phoenix’s recent whackjob appearance on David Letterman. I was a little surprised there weren’t any Christian Bale references.

–The Japanese Oscar recipients gave the most entertaining acceptance speeches of the night. It’s about time somebody gave Mr. Roboto his props.

–After hearing so many winners talk about growing up in foreign countries never imagining they’d one day come to the United States and win an Oscar, I wondered if any American kids will one day realize their dream of answering tech support calls in India.

–Let me get this straight, Sean Penn can joke, “”You commie, homo-loving, sons of guns,” and not get bleeped but if somebody utters a friendly “Fuckin’ A this rules,” 10 guys are jumping for the censor button? Not that I have a problem with Penn’s comment, I’ll just never understand our society’s stupid animosity toward four letter words. I was bummed to miss the Mickey Rourke freak show but I liked Penn’s speech. There’s something particularly hot about a straight man speaking passionately in support of gay rights.

© Jenée for Comedian Jenée: People are Idiots, 2009. |
Permalink | 2 comments | Subscribe to this post's comments

Slumdog Millionaire: Since I tend to be disappointed by films with too much hype, I decided to start with the favorite just to get it out of the way. The story unfolds like a grim Forrest Gump, in which the extraordinary events of a young man’s past provide him with the answers on the Indian version of Who Wants To Be A Millionaire. Two hours later the credits roll with a strange little dance number (which, odd as it was, managed to be infinitely more entertaining than the horrific singing and dancing in the worst movie I saw all year, Mama Mia).

My philosophy is that the Best Picture stands alone, that without seeing any other films you know that’s the Best Picture. Occasionally there are two films in a year that deserve that honor, other years there are none. And it didn’t take long to realize this was the Best Picture of 2008. It’s a moving story that’s so well done I can’t even make my usual snarky comments. Go see it.

Frost/Nixon: Next up on my movie schedule was Frost/Nixon, which depicts the long interviews David Frost conducted with Richard Nixon after he left office in disgrace. Oops– I just gave away all the good parts. A movie about two dudes talking is just as riveting as it sounds and I have no idea how this ended up as a Best Picture nominee. The only thing that kept my attention was hoping that on one of his entries into the interview house,  Nixon would be shot by someone on the grassy knoll who would put an end to the misery. I would have liked for this nomination to have been replaced by the clever indie, In Bruges.

The Curious Case of Benjamin Button: I’d heard plenty of cracks about how long and boring this movie is and when I saw the 2:43 run time, I was prepared for a snoozefest. If I’d seen it in a theatre I’d probably agree with the critics but I had a screener so I was able to watch it in chunks and I thought it was great. This is a Best Picture. It’s a shame it wasn’t a contender in last year’s weak race because I’m sure it would have won but I think Slumdog Millionaire is slightly superior and should take the Oscar.

The movie is about a man who ages backwards– the same premise that was attempted over 20 years ago when Mork and Mindy gave birth to a bouncing baby Jonathan Winters. This time around there are fewer rainbow suspenders and old men in diapers to ruin the story. My only real criticism of the movie is that toward the end, Button’s mind/body correlation seem to get confused and I don’t think it properly shows someone with a lifetime of experience trapped in a child’s body. Brad Pitt’s Best Actor nomination was a given for whoever played the part and since he didn’t do anything spectacular with the role, I think he’ll just have to settle for the Best Looking Couple Lifetime Achievement Award to be shared with Angelina.

Milk: After the beating the gay movement took in the elections, I’m GLAAD to see a gay-themed movie in the running for Best Picture but unfortunately this doesn’t have the chops to win. It’s the story of Harvey Milk, the first openly gay man elected to public office in California, who was later (as opposed to previously) murdered. It’s interesting to know his story but I probably could have gleaned just as much insight and entertainment value from  reading his Wikipedia page in five minutes as I did in watching the two hour film. Sean Penn does a good job as Milk and his Best Actor nomination is deserved but, without having seen The Wrestler, I’d still give the award to Mickey Rourke as a consolation for the facial disfigurement he suffered in an attempt to resurrect his career. Plus I suspect Rourke’s acceptance speech will be the most entertaining part of the Oscar telecast and I always have to root for the train wreck.

The Reader: Last up was The Reader. Kate Winslet stars as every teenage boy’s fantasy: a loose older woman who’s unencumbered by moral boundaries and that annoying edumecation stuff like reading (though, depending on some guys’ folicle preferences, they might wish she knew how to read the words “Mach III”). It’s a pretty good flick that I’d rate third among the nominees (after Slumdog and Button). Winslet is the favorite to win Best Actress but I’m not sold on her performance because I’m not sure if I was supposed to sympathize with her character or not. Is she a Nazi war criminal with a heart of gold? Or is she a sexual predator with a heart of gold? In fact, I’m not even certain she has a heart of gold but her nipples do make cameo appearances in almost every scene and I’m sure the male members of the Academy will want to see that rewarded so I expect her to take the prize.

© Jenée for Comedian Jenée: People are Idiots, 2009. |
Permalink | Leave a comment | Subscribe to this post's comments